If Nintendo doesn't allow for a staging, what backup plans do you have?
How does Kafei witness the Monkey's execution if humans aren't allowed in Deku Palace?
Will the Happy Mask Salesman still have a mysterious air, or will he be portrayed more as an advisor to Kafei?
How will Odolwa be represented? Will he just be silhouette?
How do you make the shadow effect of the demos?
Will there be any intermissions throughout the 3+ hours of the work, and if so, will they be between acts?
Are you Portuguese?
Will Kafei actually be turned into a child by Skull Kid, or will he be an adult all the way through?
If you take it to stage, how long do you think it's going to be until we can see it live?
How did you find so many good singers willing to perform voluntarily in the demos, was it a problem?
What instruments did you use for the hollow clanging sounds in the Great Bay temple theme in Kafei's Dream?
Will there be an online or DVD version of the opera I can purchase in case I can't make it to a performance?
Why doesn't Kafei just make another Sun Mask if his got stolen?
What other special significance is there in the Sun Mask for Kafei to actually search for Sakon?
Will you portray Skull Kid as a villain, or as a tragic hero?
What happens at the end?
Once the opera is done, will you release the full score and/or libretto, or even just the demos's?
What are you looking for in members of your ideal orchestra?
Will you hire an entire symphony orchestra, or hold open auditions?
When adapting a game into another medium, what storytelling elements would you say should be considered?
Will Anju's grandmother's stories come into play, or will they be told by one of the giants?
Is Tingle in the opera, and will he sing?
Are you going to have some minor comedy in the opera, or will it just be tragedy?
Can you release the background music from these Q&As?
Will the Final Hours theme by included?
How many Q&As will there be?
Since Kafei isn't turned into a child, does Majora/Skull Kid have an impact on his backstory?
Have Kafei and Majora/Skull Kid met before the start of the first day?
Why would Zora Hall be problematic for Kafei to access if Zora Cape is accessible by boat?
What is your process involving these demos and a portfolio? Is it a proposal for Nintendo, or a theater?
If this makes it to the stage, will you put it on YouTube, take it to other countries?
What numbers are you looking most forward to presenting, and which are you nervous about?
What went most smoothly in creation, and what was a pain to figure out?
In the demo for Pamela's Arietta, were you the silhouette of her father?
Will the beavers and their empty bottle treasure be in the opera?
Will Captain Keeta make an appearance?
Will you make a demo with the Happy Mask Salesman?
Will there be interaction between Kafei and the music box house?
Will you be writing an overture?
Will we ever see that blooper footage you still have?
Will you include more masks besides Majora's, Keaton's, Sun's, and Moon's?
Since Majora is going to be a character in the opera, are you going to address 'her' origins?
Will Kafei's good friend, the Curiosity Shop Man, be featured at all?
Is Majora/Skull Kid more like a secondary antagonist in comparison to Sakon?
Will Kafei confront Majora along his journey?
Did you get perfect take every time, or are there bloopers?
In the demo choirs, many people are in the choir in actuality, and how many virtually?
The abrupt end of the Deku Palace Choir made it seem like censored death; was it?
Will the opera be in chronological order? Because the demos don't seem to be.
Is there talking in opera, or just singing?
Was Majora computer-generated?
In the demo, is it the same person playing both Majora and Skull Kid?
How old would the person playing Skull Kid be?
So the soprano for Majora is the evil entity that lives in the mask and possesses Skull Kid?
Will the Deku Butler's son be alive?