Are you still taking Q&A questions?
Do you plan on making the whole game an opera or just certain songs?
When will the opera be ready?
Did you consider launching a kickstarter project?
I honestly thought this project was dead. Is the revisions chart up to date?
What is your favorite number in each act of the opera so far?
Have you ever thought about composing for any video games?
Are the progress bars in the Majora blog actually progressing at all?
Which specific version of Linux are you using in the devlogs?
Do you all outright know all of the minutiae of score interpretation, or do you have a giant rulebook or style guide?
Is it that only the conductor needs to know how the music should sound, and players just note down indications?
What is exactly is the difference between a prologue and a prelude?
Do you have the Final Hours theme orchestrated yet?
In the Majora's Aria demo, what instruments did you use for the synthetic sounds of Majora's Incarnation?
Where does Kafei's and Anju's love theme come from in the game?
Where did your logo come from?
Will you hear the bell of the Clock Tower toll more often after midnight of the final day, like in the game?
Do you leave recitatives up to interpretation, like Rossini, for example, or are they fully composed too?
How different are the demos from the final result?
Does Kafei give/send Anju the pendant of memories, or does it get left out?
What is your favorite part of the opera?
Is Kafei desperate enough to ignore the fact that the Juggling Brothers' mention of a kidnapping in the swamp is a pun?
Will the libretto to Majora's Aria be revised?
Where do you get a Majora's Mask like the one you used for the Majora's Aria demo?
How often are the writing progress bars updated?
Any hints as to what the 9th demo will entail?
When and how did you get inspiration to make an opera from the game?
Is the opera going to have spoken dialogue similar to singspiel, or will there only be recitatives between numbers?
Would you call your opera a Gesamtkunstwerk?
Do you by any chance need ocarina players?
What lead you to give the Giant's Lament demo such a big overhaul compared to other demos?
A lot of the Giant's Lament's libretto has changed, but why did "so we roared" become "and we roared"?
Will there be any intermissions throughout the 3+ hours of the work, and if so, will they be between acts?
Are you Portuguese?
Will Kafei actually be turned into a child by Skull Kid, or will he be an adult all the way through?
If you take it to stage, how long do you think it's going to be until we can see it live?
How did you find so many good singers willing to perform voluntarily in the demos, was it a problem?
Were you trained in classical composition, or did you teach yourself?
Will you attend one of the Symphony of the Goddesses concerts this year?
Are you planning to get a copy of Majora's Mask 3DS?
Are you going to have to go through legal issues if you're planning to stage the opera?
I can't think of a question, so how's it going?
Have you read Hylian Dan's article The Message of Majora's Mask?
Have you read Hylian Dan's article Immortal Childhood?
How's progress, and are you already in contact with Nintendo?
Are you planning on including the Composer Brothers in Ikana?
Who will free the other three giants?
Sakon's theme sounds Middle-Eastern, or Indian, was this intentional?
Will the Deku Princess appear, or will she go unsaved?
In the Giant's Lament, is the Saria's Song / Lost Woods theme the Skull Kid's leitmotif?
Do you plan on going back to work on the score and libretto of the demos?
Why is Captain Viscen a woman?
What is Majora?
Is this a musical?
Will the full thing be posted on YouTube?
Does Link appear?