What is your favorite number in each act of the opera so far?
Have you ever thought about composing for any video games?
Are the progress bars in the Majora blog actually progressing at all?
Which specific version of Linux are you using in the devlogs?
Do you all outright know all of the minutiae of score interpretation, or do you have a giant rulebook or style guide?
Is it that only the conductor needs to know how the music should sound, and players just note down indications?
Are there any typical opera conventions that you've been hesitant to break?
Are there any typical opera conventions that "convinced" you to alter initial ideas to keep it closer to tradition?
How are the remaining demos coming along, any luck getting new singers?
What other themes won't be found in the opera, or do you want to keep that a secret?
Is there a textbook or other means of self-education you'd recommend for learning orchestral composition?
What are you thoughts on the works of Gilbert & Sullivan?
Have you read Hylian Dan's article The Message of Majora's Mask?
Have you read Hylian Dan's article Immortal Childhood?
How's progress, and are you already in contact with Nintendo?
Are you planning on including the Composer Brothers in Ikana?
Who will free the other three giants?