Why does the instrumental for the Mayor's Fugato demo need a makeover?
Why do you think English is an easy language to learn?
Will Kafei go inside Stone Tower?
If you stage the opera, where would you want its first performance?
Do you happen to know how the number of musicians and singers needed compares to other operas?
In the game, Anju leaves for the ranch if Link doesn't intervene, so will she not be waiting at the inn for Kafei?
Will you sell the score in the future?
Will the Fierce Deity itself show up or get referenced in a way that is symbolic of Termina's memories?
When is the projected release of the makeover of the Mayor's Fugato demo?
Will Lulu appear in the opera where she can talk?
Will there be any intermissions throughout the 3+ hours of the work, and if so, will they be between acts?
Are you Portuguese?
Will Kafei actually be turned into a child by Skull Kid, or will he be an adult all the way through?
If you take it to stage, how long do you think it's going to be until we can see it live?
How did you find so many good singers willing to perform voluntarily in the demos, was it a problem?
Why would Zora Hall be problematic for Kafei to access if Zora Cape is accessible by boat?
What is your process involving these demos and a portfolio? Is it a proposal for Nintendo, or a theater?
If this makes it to the stage, will you put it on YouTube, take it to other countries?
What numbers are you looking most forward to presenting, and which are you nervous about?
What went most smoothly in creation, and what was a pain to figure out?
In the demo for Pamela's Arietta, were you the silhouette of her father?
Sakon's theme sounds Middle-Eastern, or Indian, was this intentional?
Will the Deku Princess appear, or will she go unsaved?
In the Giant's Lament, is the Saria's Song / Lost Woods theme the Skull Kid's leitmotif?
Do you plan on going back to work on the score and libretto of the demos?
Why is Captain Viscen a woman?